In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　本片获得了1947年威尼斯电影节大奖，是第一部获此荣誉的捷克斯洛伐克影片。《罢工》改编自捷克斯洛伐克女作家玛丽-玛耶洛娃的同名小说。1889年，在距离布拉格不远的小城克拉德诺的一座冶金工厂，一群被残酷剥削的工人们为了争取自己的权益举行了一次罢工，本片正是取材去这一真实事件，讲述的是一群矿工通过举行罢工争取自己权益的故事。故事围绕着一个生活在底层薪金微薄的矿工家庭展开，展现了辛苦劳作却苦苦在生存线上挣扎的矿工及其家人同压榨劳动工人阶级的冷酷矿工主以及占领军之间的冲突矛盾。作为一部黑白电影故事片，《罢工》一片的摄影手法以及入画构图显得极为生动，栩如生展现了矿工危险而艰苦的工作环境。尽管人物刻画和表演显得粗糙，《罢工》一片仍被看做是共产主义政治宣传影片的奠基石，而在电影史上留下了重要的地位。简介：电影《Siréna》是一部捷克斯洛伐克的黑白电影，由卡莱尔·斯泰克利导演，玛丽亚·玛耶洛娃和卡莱尔·斯泰克利共同编剧，玛丽·瓦索娃、Ladislav Bohác、Oleg Reif、Nadezda Gajerová、Pavla Sucha等人主演。电影于1947年上映。电影的主题是战后复杂的政治环境，揭示了人性的阴暗面。故事发生在一个小镇上，当时正在建造一座电厂。但是，在这个小镇上发生了一连串的事件，从而阻碍了电厂的建设。一个美丽的女人出现在这个小镇上电影《Siréna》是一部捷克斯洛伐克的黑白电影，由卡莱尔·斯泰克利导演，玛丽亚·玛耶洛娃和卡莱尔·斯泰克利共同编剧，玛丽·瓦索娃、Ladislav Bohác、Oleg Reif、Nadezda Gajerová、Pavla Sucha等人主演。电影于1947年上映。电影的主题是战后复杂的政治环境，揭示了人性的阴暗面。故事发生在一个小镇上，当时正在建造一座电厂。但是，在这个小镇上发生了一连串的事件，从而阻碍了电厂的建设。一个美丽的女人出现在这个小镇上，并与一名年轻的电气工程师坠入爱河，但事实上她是一名特工，她的任务是破坏电厂的建设。在她的影响下，当地工人罢工，并发生了一系列冲突。然而，这个女人最终意识到了自己的行为可能会危及到普通民众的生命，她决定停止破坏并背叛了她的领导人。最终，电厂建成，带来了光明的前景。电影《Siréna》是一部政治剧情片，它通过描述一个小镇上的罢工事件，探讨了当时政治环境中人性的黑暗面。影片受到了观众和评论家的好评，被认为是卡莱尔·斯泰克利的代表作之一，具有重要的历史价值。